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New York:Dodd Mead and Company. 1899. 227pp. 1st edition. Hardcover. Externally, green decorated boards are lightly rubbed and soiled with black dots on the upper right edge of the front board, as well as some very light mottling on the bottom edge of front board. Internally, aside from a previous owners signature to the first free end-page with a date to upper left edge and letter to upper right, a very good, clean copy. The binding is tight and hinges intact.
Santa Rosa:Black Sparrow Press. 1991. 198pp. One of 150 copies, numbered (#62) and signed on the colophon page. Other than some dust residue to top page edges, a very good, clean copy with a very good acetate jacket. *The Archaeology of Movies and Books, Volume 1.
London:William Heinemann Ltd. (1928). 207pp. 1st edition. Hardcover. A very good copy. Top page edges lightly soiled but blue boards in very good, clean condition. Internally, end-pages are age-toned but otherwise pages clean and bright. No previous owners marks or signatures.
Los Angeles:Black Sparrow Press. 1972. 159pp. Number 136 out of 250 copies, numbered and signed by the author on the colophon page. Aside from a small tear to the acetate jacket at the top front right edge, a very good, clean copy.
New York:Clarke & Way Inc. (1962). 95pp. 1st edition. Hardcover with dust jacket. Book in fine condition. Dust jacket in very good condition with minor wear to edges and a bit of soiling. Looks like someone spilled a drop of coffee and quickly cleaned it off. Outline remains. *In 1958 Philbrick was awarded the Wallace Stevens Poetry Prize.
New York:The Yardstick Press. 1941. 1st edition. 276pp. Hardcover. Beige boards, spine and pages edges with mild soiling. Internally, end-pages age-toned but otherwise pages clean. No previous owners marks or signatures. A very good, solid copy.
Boston:Luce and Company. 1917. 64pp. 1st edition. Hardcover. Green boards soiled, and spine darkened, with light shelf-wear to edges. Internally, pages slightly age-toned, but otherwise a very good, clean copy.
Minneapolis:Edmund D. Brooks. 1902. Limited to 350 copies, on hand made paper, this is No. 1. No pagination. Hardcover. Boards lightly soiled with some age toning and a small chip on the front board. Internally, end-pags are lightly foxed but pages, aside from an occassional smudge, are clean and bright. Top of page edges soiled from dust residue.
Dublin; The Dolmen Press, . Limited Edition (one of 500 copies). Softcover. 28pp. Very Good condition. Light shelfwear/grime plus a bit of foxing to covers. Bookseller pencilled notes on rear flap. Interior is as new. (cfm)
POEMS, CHIEFLY LYRICAL, FROM ROMANCES AND PROSE-TRACTS OF THE ELIZABETHAN AGE: WITH CHOSEN POEMS OF NICHOLAS BRETON
London:John C. Nimmo. 1890. No 64 of 780 numbered copies. Hardcover. Boards lightly worn with some mottling to front and rear boards. Gilt on spine still bright. Internally, end-pages age toned but otherwise a very good, clean copy. No previous owners marks or signatures.
Chicago:Harriet Monroe. 1913. 153-190pp. Wrps. Covers still attached, but soiled, with shelf-wear to edges and small tears to spine ends. Internally, pages are clean and bright with an occasional smudge scattered throughout. Contains the first appearance of Joyce Kilmers' TREES, as well as poetry by T. S. Eliot, Arthur Stringer, John Hall Wheelock, Margaret Widdemer and a review by Ezra Pound.
New York:G. P. Putnams Sons. 1903. 100pp. Illustrated. Covers rubbed and soiled. Internally, aside from an inscription dated 1903 "from the daughter of William James" at the top of the 1st fep, a very good, clean copy. Some age toning to pages, especially around the plates, and some dust soiling to the page edges with top edges gilt. The binding is tight and hinges intact. Overall, a very good copy.
Los Angeles:Black Sparrow Press. 1974. Number 121 of 200 copies, numbered and signed by the author on the colophon page. In very good, clean condition. Small piece of acetate jacket missing at bottom of spine, otherwise a very good jacket.
Los Angeles:Black Sparrow Press. 1970. 78pp. Illustrated. Number 74 out of 175 copies, numbered and signed by the author on the colophon page. Aside from very light soiling to the top edge of boards and a small chip to the acetate jacket at the top of the spine, a very good, clean copy.
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