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Preceded by A DIALOGUE ON POETIC DRAMA By T S. Eliot. London:Frederick Etchells & Hugh Macdonald. 1928. Number 257 out of 580 copies. In very good condition with dust jacket. Marbled boards with fading and wear to board edges, worn to boards at edge points. Internally, save for some age-toning to end-pages, a very good, clean copy. Some pages still uncut. The dust jacket, although still in one piece, is soiled and has many chips and small tears to edges.
Jackson: University Press of Mississippi. (1991). 145 pp. Illustrated by Walter Anderson. hardcover w/ dust jacket. Dust jacket show light shelf wear. Book itself is clean, bright and in fine condition.
Philadelphia:J. W. Bradley. 1857. 336pp. + 4pp. advs. Wright 11:1179. Eleven hand-colored wood engraved plates. Title-page also hand-colored. Previous owners name on second free end-page. Some light foxing scattered throughout. Externally, original embossed binding with gilt picture of a native American on cover. Covers are quite worn and soiled and spine ends are frayed.
New York:Henry Holt and Company. 1910. 353pp. + pp. advs. Signed by author on first free end-page. Boards shelf-worn/rubbed. Light wear at spine ends and edges of bindings. Paste-down illustration on front binding worn and page edges are soiled. Internally, age-toning to end pages, but otherwise a very good clean copy. The binding is tight with front hinge just starting and rear hinge intact. Half-page presentation on first free end paper by author to Rufus H. Gillmore dated October, 1910. Author later married Will Irwin.
The Pocket Poets Series. No. Twenty Three. (San Francisco): City Lights Books. (1968). Wrps. 1st edition, printed in England, but it seems held up and released after the American edition. Along with a ticket to a solo performance by Ginsberg in Cheltenham, England in 1968. Book in very good, clean condition save for a bit of tanning to the spine and a previous owners signature on the inside front cover.
Boston:John W. Luce and Company. 1921. 202pp. No dust jacket. Binding is gently worn at the edges and spine ends with some mild soiling to the covers. Spine is faded but otherwise in very good condition. Interior is clean, bright and free of stray markings. Overall, this is a very good copy.
Foreword by R. Hunter Middleton. Illustrated by Arthur Rahnfeld. Chicago: Privately printed for the Black Cat Press. 1954. 45 pp + colophon. Wraps. Fushia covers lightly sun-faded and there are two spots of soiling on title page; else very good. Interior is clean, bright and free of stray markings. Overall, this is a very good copy.
1970. Three volumes in two books. 718 + 646pp. A very good set. Covers are lightly worn at the edges with some soiling. Otherwise in very good condition. Interiors are clean and free of stray markings, though there is some mild toning to the page edges. FB029
Paris:Louis Conard. 1923. 464pp. Original wrps. A very good copy.
Berlin:Walter de Gruyter & Co. 1963. 519pp. An excellent copy.
Boston:Twayne Publishers. (1982). 147pp. Hardcover. Binding is only mildly worn at the edges and spine with some light soiling. Interior is clean, bright and free of stray markings. Overall, this is a very good copy. FB019
London: Triton Publishing Company. (1965). Ill. by Fritz Eichenberg. 1st ed. thus. Good dust jacket, which is signficantly faded at the spine. Boards clean, though faded slightly at top. Pages clean, bright and unmarked. Overall, a very good copy.
Westport, CT:Greenwood Press. 1975. 171pp. Reprint of 1955 edition. An excellent copy.
Boston, Massachusetts: David R. Godine, Publisher. 1974. 104 pp. Hardcover w/ dust jacket. Dust jacket in very good condition with only some light shelf wear and a small tear at the top edge of the front. Book itself is clean and free of markings. All in all, a fine copy.
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